"This was one of the first pieces of
work which I experienced at the Piet Zwart
Institute, I was totally impressed by it. It
was brave, intimate and immersive. The cakes
started to make me feel quite sick, an archive of
something sentimental, a game played with a
collective dream of something so excessive that it
becomes almost sinister in it's material vision of a
romantic escape."
- Kirsty Roberts
A performance for voice, video, walkie
talkies, and interrupted visibility. Real-time
becomes unhinged in this long-distance fiasco, as
we are doomed to track a shifting horizon with
outdated equipment and no reliable means of
measurement. Everything rests on the hope that on
a
clear day, you can see forever.
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